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I Follow the Thin Black Line: Drawings by Costantino Nivola
Exhibition curated by Giuliana Altea
Sassari, Palazzo della Frumentaria, May 6 - September 3, 2011
Organized by: The Nivola Foundation and the Town of Sassari
In collaboration with: The Autonomous Region of Sardinina, The Province of Sassari, The Bank of Sassari, The Chamber of Commerce of Sassari
Realization, coordination and arrangement by Agave Edizioni, Catalog by Agave with texts by Giuliana Altea, Antonella Camarda, Ugo Collu, and Margherita Coppola.
Although Costantino Nivola was an extraordinary draftsman, and for almost ten years had worked as a graphic designer and a professional illustrator, he regarded himself above all as a sculptor, or more precisely a sculptor-builder, heir to the ancient nuraghi builders, faithful to the vocation passed on to him by his mason father. This is why his graphic work has hitherto gained little recognition. Yet, it is a body of work of great interest and quality, a cross-section of which is exhibited here for the first time: over a hundred works, almost all unpublished.
The drawings and illustrations on display, made between 1941 and 1980, document the central and most productive phases of the artist's career: his first period in New York, shortly after his flight from Fascist Italy, divided between commercial graphics and exploratory works (1940-1945); his approach to sculpture in 1950 and a return to his home-town, Orani, in 1958; the preparatory drawings for major public commissions; the so-far ignored episode of tapestry design (1960 - 1966); the private series of the Beds and Male Figures; the biting drawings of political and social criticism he had begun working on since 1968.
A Nivola emerges who is in many ways different from the well-known creator of large public monuments and solemn sculptures (the Mothers and the Widows of the final phase), but an artist who is by no means less fascinating.
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